Get Annual Plans at a discount when you buy 2 or more! After Steve hears the verdict, he turns to OBrien for a hug. This book is a wonderful introduction to American history through the lens of monsters. Subscribe now. Get Annual Plans at a discount when you buy 2 or more! | 2023 Baylor University Press. Monsters in America is an important contribution, and it will be enjoyed by literary and cultural historians alike. For me, there are intertwined. He wrote in his journal. Asa Briggs, Kings attorney, establishes that the police have no fingerprint evidence. Please try again. Pooles bibliography is an additional treat as it includes many excellent books for further reading or study - "1973 Nervous Breakdown: Watergate, Warhol, and the Birth of Post-Sixties America" and "Sacred Terror: Religion and Horror on the Silver Screen" were two titles that jumped out at me thats so full that one could even write their own treatment on the subject. The State rests its case. From our colonial past to the present, the monster in all its various forms has been a staple of American culture. After a minute elapses from the time David, Billy and Brent enter the store, a man, Jeff Miller, a local townsperson, flies into the market, bloodied and frantic. Sawicki states that he believes in Steves honesty as a filmmaker and as a person. Monsters in America. InMonsters in America,Scott Poole asks these thought-provoking questions while traveling through American history following the evolution of the monster over time. Societal values impact individuals only as much as we understand an individuals values. Sabbath Books Best Reads for Christians on Rest and Sabbath! Poole's examples are well-chosen and well-explicated. The book's unusual range is one of its contributions; its freshness of juxtaposition is another. I think that what makes the book riveting is that despite the particular social factors and grisly historical events, the book is about the Other in media. Academic, yet very accessible, I was fascinated by this book, and it holds a very special distinction as the only book I was required to buy for a college class that has Poole's book is fantastic, a terrific look at what makes monsters in film resonate in American culture. Steve records suicidal thoughts and violent prison incidents. Save over 50% with a SparkNotes PLUS Annual Plan! Evenhandedness exists in the books last sentence suggesting that liberal visions of social justice could create something worse (228). Synopsis: From our colonial past to the present, the monster in all its various forms has been a staple of American culture. Wendell Berry Poems Seven of Our Favorites! Analysis The monster tells Victor:"You must create a female for me with whom I can live in the interchange of those sympathies necessary for my being." Victor refuses and then later relents to the monster's wishes. Salem witches, frontier wilderness beasts, freak show oddities, alien invasions, Freddie Krueger. Unless specifically stated in the review, I have purchased all books reviewed. This is an amazing book. Monsters in America is lively and entertaining throughout. Enter your email below to sign up for our weekly newsletter& download your FREE copy of this ebook! Use up and down arrows to review and enter to select. Insightful and brilliant! Learn how your comment data is processed. I would love something like this for the UK. Instead it's more about the social function of the monsterous and why people believe what they believe and how different folkloric monsters became popular at different times in history. Purchasing And I don't have to mention the meaning of all the zombie movies. , Poole has now turned his attention to the monsters that inhabit American cinema and American imaginations. I hated this book. The book made a few strong points, but ultimately it was a mediocre read. Baylor Univ, $29.95 (296p) ISBN 978-1-60258-314-6 From 19th century sea serpents to our current obsession with vampires and zombies, history professor Poole (Satan in America) plots America's. [Pooles] book is sufficiently clear and engaging for general readers to enjoy and would make a worthwhile addition to undergraduate course in American history or culture. Steve also states that he was not at the drugstore on the day of the crime but was walking around thinking about his movie. All affiliate income is used to support the blog. Mrs. Henry testifies to being in the drugstore and seeing two young Black men arguing with the store owner. on 2-49 accounts, Save 30% From 19th century sea serpents to our current Publishers Weekly session with vampires and zombies, Poole plots America's past through its fears in this intriguing sociocultural history. In his comments on the 1931 "Frankenstein" W. Scott Poole, relates that the idea of the "abnormal brain" that Fritz grabs for Henry Frankenstein being the cause of the monster's murderous mentality being a reflection of the "scientific rascism" of the day. It was the first-ever Michael L. Printz Award recipient, an ALA Best Book, a Coretta Scott King Honor selection, and a National Book Award finalist. the bell witch, the roanaoke colony, etc.) Thanks for creating a SparkNotes account! Indeed, Poole interprets the meaning of the meaning, reinterpreting historical narratives infusing past story with present perception: history is horror (22). He is also author of a number of books, including most recently How the Body of Christ Talks: Recovering the Practice of Conversation in the Church (Brazos Press, 2019). In "Monstrous beginnings," the introductory chapter of "Monsters in America: Our Historical, Obsession with the Hideous and the Haunting" by W. Scott Poole, the author makes an argument, about how monsters were not only used as entertainment, but were also used as an excuse to, justify the offenses done to the Native Americans as well as the slaves brought from Africa by, the European settlers. IE- minorities = what we are anxious about / obsessed with = the monstrous = monsters. Pooles excoriation of one homogenous grouping belies the essence of the problem which is our human nature. Monsters and American History W. Scott Poole offers many unique explanations for the creation and story telling of monsters in his essayMonsters in America.Poole examines the cultural history of the monster and how it intersects with American history. OBrien gathers her papers and moves away, leaving Steve standing with outstretched arms. Christopher Columbus came to the Americas searching for gold, slaves, and monsters. Monster in America is a literature book by W. Scott Poole. I have read Mr. Poole's work before, so I knew I was in for a treat and I was right. to start your free trial of SparkNotes Plus. I do wish the author would've delved into certain subjects more as he did the last half of the book which was very compelling. The medical examiner states the time of Mr. Nesbitts death. (The medical examiners evidence suggests that the shooter was probably right-handed.) Conflicting anxieties about race, class, gender, sexuality, religious beliefs, science, and politics manifest as haunting beings among the populace. Please try again. A.The James River B.The, Which was NOT an attempted reform movement in antebellum Virginia? A masterful survey of our grim and often disturbing past, Monsters in America uniquely brings together history and culture studies to expose the dark obsessions that have helped create our national identity. It felt more like I was reading a college midterm (not even open book), and less like strong literary criticism. In the follow-up to his first book, Satan in America, Poole has now turned his attention to the monsters that inhabit American cinema and American imaginations. Subject I have a lot of interest in and the author seems to have done a lot of work/research. Poole's examples are well-chosen and well-explicated. Renew your subscription to regain access to all of our exclusive, ad-free study tools. When social conservatives oppose something, like - say -. Steve tells his story through handwritten notes as in a journal and a typewritten screenplay. The free trial period is the first 7 days of your subscription. Whether your interest is literature, American history, popular culture, race and ethnicity, women's studies, or religion, you would be happy reading this book. A.Universal white male suffrage B.Public education C.Child labor D.Temperance. The man immediately begins screaming about something hidden in the mist that is attacking and killing people. W. Scott Poole is Professor of History at the College of Charleston. He is the author of several books, including a biography of H.P Lovecraft, which became a Bram Stoker award finalist, and Wasteland: The Great War and the Origins of Modern Horror. "New light" evangelists of the eighteenth century, enslaved African Americans, demagogic politicians, and modern American film-makers have used the devil to damn their enemies, explain the nature of evil and injustice, mount social crusades, construct a national identity, and express anxiety about matters as . $24.99 Briggs establishes that the police had shown photos of King to Mrs. Henry before she picked him out of a lineup. Excellent examination of horror movies evolution through the years and also how societal happenings influence the movies at the time they are made. She coaches Steve on how to answer questions on the witness stand. For Poole Halloween means more trick than treat; we discover that the monsters are us. I have an affiliate relationship with several bookstores, including Powells Books and IndieBound. Some of his writings can be accessed at www.warpandwoof.org. Youve successfully purchased a group discount. I. Poole is also a Professor of History at the College of Charleston where he teaches courses on monsters in American history, Satan in folk belief and pop culture and the history of religion and race in American life . This is an important book that Id recommend very highly. Numerous scholars explore the cultural and political implications of monster and horror films for the times from which they emerge. Few scholars connect such implications across broader expanses of time to reveal how intrinsically monsters and the horrific have been bound up in the history of America. uniquely brings together history and culture studies to expose the dark obsessions that have helped create our national identity. Why are we scared of this person? is always a question behind each chapter and Poole is careful to never reduce it purely to matters of sociology or psychology while still using those tools of analysis. He reminds the jury of the witnesses criminal records and contends that their unreliability casts reasonable doubt on Kings guilt. Poole brings to life American horror stories by framing them within folk belief, religion, and popular culture, broadly unraveling the idea of the monster. You'll be billed after your free trial ends. Consulting newspaper accounts, archival materials, personal papers, comic books, films, and oral histories, Poole adroitly illustrates how the creation of the monstrous"other"not only reflects society's fears but shapes actual historical behavior and becomes a cultural reminder of inhuman acts.Monsters in America is now online at www.monstersinamerica.com.
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